| 摘要: |
| 数十年来,在政治、经济和技术变化支撑下,全球沟通联络越来越多,很多国家重新开始加强边界和国家认同,以便应对真实的和网络的恐怖主义和大规模移民,这些国家变得愈发保守和多疑。博物馆作为建立边界和认同的机构,对预防这种倾向非常关键,通过文化活动和国际展览维持国家之间的良好关系,建立对话平台和沟通的桥梁,促进共同理解,致力于“全球文化和谐”,从不同角度思考文化对于我们理解世界的作用。它涉及最终扫除隐藏于学院学科和艺术、现代化和博物馆等概念中的西方文化帝国主义最后残余。全球性未来关乎对文化与文化产品的本土化理解,关乎对全球文化多元性的更新性欣赏。 |
| 关键词: 博物馆 边界 桥梁 全球文化和谐 Borders and Bridges:Museums and Global Cultural Harmony Written by Simon Knell Translated by Yang Jin |
| DOI： |
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| Borders and Bridges:Museums and Global Cultural Harmony |
| Written by Simon Knell,Translated by,Yang Jin |
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| Abstract: |
| After decades of increasing global communication and connection, supported by economic, political and technological change, countries in many parts of the world have again begun strengthening their borders and their national identities in response to real and cyber terrorism and mass migration. These nations have become more inward looking and more suspicious of the world. International exhibitions from the world's great museums have long been central to preventing this happening:to maintaining good relationships, on-going conversations and common understandings between nations. I want to explore these apparently contradictory museum roles:on the one hand, museums as institutions involved in establishing borders and identities and, on the other, institutions that build bridges between peoples. There is no contradiction here. International dialogue relies upon the establishment of secure and resilient cultural identities. However, the path to ‘global cultural harmony’ requires us to think differently about the role of culture in our understanding of the world. It involves finally sweeping aside the last remnants of Western cultural imperialism that hide in academic disciplines and in such concepts as art, modernisation and the museum. The global future involves situated understandings of culture and cultural production. It involves a renewed appreciation of global cultural diversity. |
| Key words: borders, bridges, museums, global cultural harmony |
